
Midnight Polaroids
Verse-and-chorus pop: a restrained opening that widens into a layered final chorus.
Write the idea, choose a genre and a mood, and the studio returns complete songs with intro, verses, choruses and a bridge — vocals included.

Each of these came from a single written idea. Listen for the intro, the arrival of the first chorus and how the last section resolves.

Verse-and-chorus pop: a restrained opening that widens into a layered final chorus.

A slow R&B arrangement that keeps the drums sparse so the vocal stays in front.

Guitar-led indie rock with an instrumental break before the last chorus lands.
Playback begins only when you press play, so having a few demos on the page does not slow the load.
Choose the shape you want and open it pre-filled in the generator.
The standard pop shape: intro, two verses, a repeating chorus and a bridge. Best when the hook should arrive inside the first minute.
Structures are starting points: sections can be renamed, split or regenerated in the editor once the song exists.
A song is timing as much as melody. The studio maps your prompt onto a song form and decides where the intro ends, when the first chorus arrives and how long the outro runs. If you want different proportions, say so in the prompt — "chorus by 40 seconds", "short outro" — or change the structure in the advanced panel before you generate.
One or two sentences about who is singing and what happens in the song. If the words already exist, the lyrics to song page is the shorter path.
These two settings drive instrumentation and vocal delivery more than any adjective in the prompt, so change them first when a render feels wrong.
Female, male, duet or instrumental. Length decides how much room each section gets, and it is the setting that most affects whether a chorus feels earned.
Versions arrive with waveforms you can scrub. Keep one, then continue in the editor or send it back into the loop as the source for a new generation.
Vocal type. Set vocals to female, male, duet or instrumental. The choice affects register, phrasing and how much space the arrangement leaves, so it is worth changing before you rewrite a prompt.
Lyrics. Prompt-written lyrics follow the sections the studio chose. If you paste your own words, the delivery adapts to line length: short clipped lines land harder, longer lines get a slower phrasing so the words stay intelligible.
Arrangement. Advanced settings let you pin a tempo, a key, a time signature and an instrumentation list, and a negative prompt removes anything you never want to hear. Everything is optional — leaving it empty lets the studio decide from the genre and mood.
Want the same idea with no singing at all? Switch the vocals setting to instrumental and follow the instrumental generator; for the broader workflow behind both, see the AI music generator.
Structure is a control, not a style. The four shapes below cover most popular songwriting, and each one can be regenerated section by section after the first render.
Repeating hook with alternating verses. The default for pop, rock and most streaming-first writing.
Long intro, one late chorus. Works when the vocal should enter quietly and grow rather than announce itself.
Looped verses with a sung chorus. Leans on steady bed tracks and leaves the low mid-range clear.
A compact single-friendly shape: one verse and one chorus with a short outro, sized so nothing repeats longer than the idea supports.
Tempo, key and time signature are available in the advanced panel when the structure alone is not enough control. Those three settings are usually the difference between a render that feels close and one that feels finished.
The editor is where a generated song becomes yours. The timeline shows the waveform and the song sections side by side, so a section edit happens exactly where you heard the problem rather than by regenerating the whole track. Lyrics stay editable in a separate panel and save as you type.
Edits, remixes and stem exports are separate operations, and each one is listed with its credit cost on the pricing page. If a provider in your workspace does not support an operation, the button is hidden instead of failing after you click it. Commercial use depends on the plan you generated under — the licensing page and the Terms of Service set out what each tier allows.
Songs are not only for release: instrumental versions are used for YouTube edits and podcast themes, and beat-driven versions feed beat production.
Yes. A song generation returns a complete arrangement rather than a loop: an intro, verses, a repeating chorus, often a bridge, and a rendered vocal performance over it. You choose the vocal type, and the studio writes instrumental and vocal parts around the structure you selected.
Genre and mood are two explicit dropdowns. Genres include Dream Pop, Dark R&B, Indie Rock, Cinematic, Afrobeats and Lo-fi / Ambient; moods cover nostalgic, euphoric, melancholic, energetic and calm. Auto lets the studio decide from your prompt when you would rather not choose.
Every kept version opens in the song editor, where you can rename or split sections, regenerate a single part, rewrite the lyrics and set a version history entry. Editing creates a new version instead of overwriting the render you already approved.
It can, or you can supply your own. Write a prompt and the studio drafts words that fit the mood and the section lengths; paste your own lines with the lyrics workflow and it performs them instead. Custom lyrics are usually the faster route when the song is about something specific.
A generation can return more than one labelled version, and the count is a setting rather than a fixed pair. More versions in a single job make comparison easier; running separate jobs with different prompts is the better route when you want genuinely different directions.
Describe who is singing and what the song is about, pick a structure and generate a few complete versions to compare.